The painting draws the eye on the 4 people in the front center, as they are the most striking and the biggest in size. Firstly, it is the upset middle-aged Caucasian woman with an hourglass voluptuous body, seashell complexion and a sommer orange beehive hairstyle that is combed towards the right front side of her face with the length no longer than her face. She is wearing a white pearl necklace, in a long creamy white dress with a twenty-carat bracelet on her right wrist, which is resting on top of her right buxom, as her fingers are holding on to her pearls, expressing a feeling of anguish. Standing and leaning on the right front side of her is an angry 5-year-old girl with a round face, short sommer orange hair, resembling her, wearing a creamy white spaghetti strap dress with the right strap falling down on her shoulder. Behind the woman in the glacier white dress is a slim woman with a black Edwardian hat with black feathers covering her face. She is wearing a long black dress and gloves along with a big broach with a red stone on her v neckline.
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She appears to be a middle-aged woman, judging from her body structure and the way she dresses. Her right hand appears to be on the man’s knee and her body is facing the right side of the painting. The tilting of the hat shows that she is looking at the man. On her left, is a dashing middle-aged man with a muscular body with big shoulders and neck, wearing a white frame sunglasses sitting with his body facing the lady in black, which is the front of the painting but he is looking towards the left. He has short fallow brown hair with a James Dean’s hairstyle. He is wearing a marshmallow rolled up long sleeves shirt with sweet sachet pink pants and only exposed left hand is inside his pant’s pocket. The light grey around his mouth, jawline and neck, shows that there are stubs of hair. There is a partly seen Floral Jardin napkin on his right lap. Aside from the little girl, they are all sitting down on a chair that is not visible, on the left side of a round table covered with a creamy colored tablecloth on top of it with a small gray plate with a brown roasted chicken located on the right side of the table. The woman in creamy dress and the little girl are facing in front of the painting and do not seem to be connected to the man, as the woman in black is in between them. Everyone is wearing white except for the lady in black and the color contrast shows that she is not part of the family. In the center of the painting, at the back of them, there is a bistre wood tree that is about the size of a pencil with British racing green leaves growing on top of it. The size is as big as the people indicating that it is close to them. The Kelly green grass covers most part of the painting’s background. There is a straight crooked horizontal line on top of the painting, separating the electric blue skies and the Kelly green grass, illustrating that it is a big grass field and located far at the back of the painting. The bright electric blue skies illustrate that the painting is during daytime in bright sunlight. There are 4 small grey wind
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